writer | artist | cartoonist
In my debut graphic novel, a woman visits her estranged cousin in a town on the muddy banks of the Fundy coast, a magical place where they spent summers as children. Once tied at the hip, the two cousins, Andrea and Brendan, awkwardly reconnect over nostalgic hiking trips and retro video games. Meanwhile Brendan’s husband Michael works on the premiere of a new play at the local theatre. As he struggles with the play, he must also care for his mother, the renowned playwright, who is suffering from early dementia.
Pushing the boundaries of visual storytelling, I play with the reliability of memory and the cascading effects of trauma through bursting geological panels and pools of negative space. Bubbling intrusive thoughts are cleverly written in pencil, contrasting with the pen used for dialogue—and highlighting the difference between our inner and outer lives. Told from interwoven perspectives, each with their own distinct graphic style, Kettle Harbour deftly moves back and forth in time to reveal glimmers of an uncomfortable shared past.
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Kettle Harbour was named one of the “best Canadian comics of 2023” by CBC, and one of four “innovative graphic novels that take you in new creative directions” by Toronto Star
“A powerful, painful debut that will entrance and entangle literary graphic novel lovers. It conjures a complicated history sure to haunt readers as dearly as it haunts its inhabitants.” —Library Journal
“Kettle Harbour is a layered rarity, both tender and true. I love it.” —Daniel MacIvor, celebrated playwright and screenwriter
“Kettle Harbour is a stunning debut. An acutely observed story of memory, love, trauma and grief. A story told with the painful tenderness, connection and raw power that we feel when we inhabit space and memories with those closest to our hearts. We are sure to see more from Kyle Vingoe-Cram, a well established artist in other mediums, but I hope it’s more comics.” —Kate Beaton, creator of DUCKS